by Lauren Drayer
There
are many things to complain about when it comes to your academic
life. Your professor has questionable logic, he assigns one hundred
pages of reading every week, and his class is based on the premise
that you will fail; your lab partner spells the most surprising words
incorrectly, she never remembers what time she was supposed to meet
with you, and she keeps changing her mind about the font she uses in
her emails. The smallest little things—and academia is nothing if not an aggregate of small things elegantly orchestrated into a master
concept called a major—can get in the way of the big picture. They
cloud your perspective: it is hard to project yourself a semester
into the future when you are currently worried about whether you
professor intends to fail you this semester because you deserve it or
because he feels like it. The little things also prevent you from
sleeping well: they nag and nag at you until all you can see when you
close your eyes are all the little failures of the day. Most
importantly, they prevent you from enjoying that burger you’ve been
craving—who enjoys a burger when they have to rewrite their paper
outline for the fifth time? That being said, at least you’re not
writing a thesis.
The
truth is that I did write a senior thesis. A very long one. On the
biochemical characterization of antibodies. But that’s not what I
am talking about. I am talking about writing a thesis in a department
purposefully geared toward emotional pain: the Humanities. Humanity
means the human race, or human beings collectively. It also means
humaneness and benevolence. Academically, the humanities are the
study of literature, philosophy, art … all things that are at the
core of human beauty and creativity. It should be intuitive, it
should feel good, it should reflect our energy, our capacity for
good. It should feel human—good-human. But there is nothing
good-human about the humanities. At their core they are vague,
violent, mean.
There
is this thing in law that dismisses regulations entirely if they are
too vague to be reliably obeyed and enforced. The actual term is
“void for vagueness”. We should be able to dismiss the humanities
as a whole on that premise, because there is no structure within this
area of study that would allow any practitioner to reliably produce a
good analysis of literature, art, and especially philosophy. Why
especially philosophy? Because philosophy is not even properly rooted
in words; it exists in our minds as an abstraction of ideas that few
have intelligibly translated into documents such as the Nichomachean
Ethics of Aristotle. Just kidding; that book is unintelligible. Which
further proves my point that philosophy rarely yields a structured
response from anyone. Not even the Great Thinkers. Thinkers should
keep their thoughts there, in their heads, in the space directly
surrounding their bodies—not on paper, for it is there that it
infuriates me the most.
So,
above I have addressed why the “vague” portion of humanities is a
problem. My conclusion, more or less verbatim, is that “it infuriates me the
most.” My next point has to do with violence. We all have
preconceptions of violence. Homicide comes to mind, police violence,
battery. But obviously this is not the sort of violence that we
notice in the humanities. It is far more subtle, because the
humanities have mastered the art of quiet warfare. It comes in the
form of an essay you thought was about Monet, when it really is about
income inequality of Latino lesbians with lupus. You always, always
get tricked into a carefully convoluted web of knowledge that is
neither here nor there, all disguised as an essay inconspicuously
titled “The Straightforward Explanation of Monet’s Paintings”.
See? It is violence of the most sophisticated kind: directed at the
reader wholly and personally.
Lastly,
I need to address why I think the humanities are mean. There isn’t
a very well thought out opinion there, so I won’t discuss it in any
detail whatsoever.
In
conclusion, when developing a humanities thesis, the student has to
surmount the vast vagueness of his topic, realize that his writing
will cause physical pain to his readers, and he has to understand
that as a result of his work people will view him as mean, and
probably avoid him in the future, both in the short and long-term. We
all have many complaints about our academic experience, but if we are
lucky, we are not humanities students, and at least we aren’t
writing a thesis.
Lauren Drayer lives in a small town and thusly writes about small topics.
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