An Oral History of This Article

by Chris Alarie

Oral histories are one of the more prominent recent journalistic trends. In that spirit, we decided to present you, the reader, with the oral history of this article that you are now reading.

Chris Alarie (Senior Editor-in-Chief of Uncanny Valley Magazine; author of this article): This was actually one of the first articles that I pitched when we were first discussing ideas for UVM. Nobody else seemed to be particularly excited about it, though.

Alexis Faulkner (Executive Editor-in-Chief of Uncanny Valley Magazine): I had a few different concerns, with the primary one being that it didn't seem to be a particularly interesting idea.

Douglas Slayton (Professor Editor-in-Chief of Uncanny Valley Magazine): I just think everything Chris writes is stupid.

Alexis Faulkner: I mean, Clickhole has run a number of hilarious fake oral histories.¹ McSweeney's ran an “Oral History of Oral Histories”. And apparently so did The Daily,² which in turn led to a terrible “Oral History of the Oral History of Oral Histories” in the Observer.

Douglas Slayton: I mean, he's always fucking talking about how much he hates horses. What is his fucking deal with that?

Chris Alarie: I decided to proceed with the article anyway, despite the concerns of my fellow editors.

Alexis Faulkner: Plus, I was pretty sure that the only way he could fill the article would be to make up a bunch of fake quotes from people whom he has never even met.

Bill Simmons (Former Editor-in-Chief of Grantland): Chris told me about his idea and I thought it was great! During my time at Grantland, I made sure we ran as many oral histories as possible.

Alexis Faulkner: Besides, even real oral histories are a pretty lazy, stupid way to fill space.

Bill Simmons: No topic was too insignificant or stupid for us.

Alexis Faulkner: I mean, I understand their usefulness in an academic context, where presenting as many different perspectives on a topic as thoroughly and objectively as possible is important. But as a form of journalism, it just seems like either a way to avoid turning interviews into a real story or just a way to geek out over a topic not deserving of such attention.

Bill Simmons: We literally did an oral history of “The Super Bowl Shuffle”. Who the fuck needs to read something like that? Nobody! But we did it anyway, to fulfill the public's lust for oral histories.

Chris Alarie: I suggested that I use the piece as a means to examine why the oral history is such a popular technique. Like, maybe people read them because it makes them feel like they are being included in some sort of insider-style explanation of the subject beyond what could normally be conveyed in a more conventional article—sort of like a DVD commentary track. Or maybe by presenting so much information in a relatively direct manner, the oral history flatters the reader's intelligence by allowing them to feel as if they are synthesizing complicated information themselves.

Alexis Faulkner: He just kept saying, “Oral histories are like DVD commentaries.” But he refused to elaborate.

Douglas Slayton: I mean, he will just fucking shoehorn this paranoid, horse bullshit into any conversation, whether it makes sense to do so or not.

Alexis Faulkner: I literally got about five emails from him that said just that, in increasingly larger font sizes.

Chris Alarie: I think my persistence and sophisticated analysis eventually won them over because they eventually enthusiastically embraced the idea.

Alexis Faulkner: I kept telling him that it was a terrible idea for an article but I knew it didn't matter. He does whatever the fuck he wants anyway. He's made a total mockery of our editorial process.

Chris Alarie: So I sent Doug and Alexis the first draft of the article—basically everything up to this point—and they really seemed to like it.

Alexis Faulkner: Once it became clear that he was going ahead with the article despite my objections, I kept asking him to send me an outline or a draft or something. I wanted to make sure that he wasn't quoting me despite me explicitly asking him not to.

Chris Alarie: Alexis wrote back, “This is great! I think all you need to do is find a nice, tidy way to wrap things up.”

Alexis Faulkner: Or even worse, fabricating quotes from me.

Chris Alarie: And Doug just texted back a thumbs up and a surfer emoji.

Douglas Slayton: He seriously makes me uncomfortable sometimes.

Chris Alarie: All-in-all, I think it has been a successful project and I am excited to present it to you, the reader.

Douglas Slayton: I genuinely worry that it is dangerous for me to continue to associate myself with such a mentally unstable person.

Chris Alarie is Senior Editor-in-Chief of Uncanny Valley Magazine.

---

1 RandBall's Stu's “An Oral History of Nick Punto Sliding Headfirst into First Base” is another excellent example of a fake oral history.^↩
2 For whatever reason, all evidence of this particular “Oral History of Oral Histories” seems to have disappeared. I don't want to say that it is the work of the Vast Equine Conspiracy, but I would be remiss if I didn't at least mention the possibility.^↩

Three San Francisco Poems

by the Editorial Staff of Uncanny Valley Magazine

Sorry, I Have A Thing. (Fifth)

by Douglas Slayton

Mornings or evening when they tear out streets

the routes change or disappear completely.

When the cold is close in the heavy sheets

the sound keeps me steady only briefly.

When I'm lost, there are always two ways home.

The day marches when time is all you need.

Beach lights dying, where I sink like a stone.

This is change not growth, I am no seed.

When we talk, I talk quickly, thoughtlessly.

I make the same decisions every time

everyone dissipates through the country.

Not feeling better, I'm holding the line.

The full moon is always a day early

or day late, nothing ends so easily.

Chris's Poem's Title

by Chris Alarie

A placeholder for

Chris's poem

About San Francisco

I hope it is good

But mostly I hope

It is finished

On time

Otherwise

We will have to

Publish the placeholder

San Francisco

by Alexis Faulkner

It is possible to have a good day everyday you are 

Alive in San Francisco

The air near the ocean is so fresh and damp

It's easy to breathe but hard to keep the clothes

In your closet from molding

The most beautiful intersections are the ones where

Two neighborhoods hold hands

Like Arguello and Fillmore and California and Broadway

It is so peaceful to feel always cold and watch the

Fog cover everything

It is so dangerous to take BART to see your friends

Play at the Sugar Mountain because you might

Miss the last train and the 800 is filled with

Zombies and also the warehouse isn't even near a train

It is so burrito to have eating in Dolores

Many people are leaving the city now

Some of them have moved to Los Angeles and New York City and Paris

It is a hard place to dream of and a sad place to

Leave behind

Alexis Faulkner is Executive Editor-in-Chief of Uncanny Valley Magazine. 
Chris Alarie is Senior Editor-in-Chief of Uncanny Valley Magazine.
Doug Slayton is Professor Editor-in-Chief of Uncanny Valley Magazine.

My Important Podcast with Chris Alarie: Episode 7

by Chris Alarie

After a delay of two weeks, Doug and I continue our discussion about podcasts. This is, quite possibly, the least essential episode yet. Enjoy!



Chris Alarie is Senior Editor-in-Chief of Uncanny Valley Magazine.
Doug Slayton is Professor Editor-in-Chief of Uncanny Valley Magazine.

A List of All the Words that I Know

by Chris Alarie

Chris Alarie is Senior Editor-in-Chief of Uncanny Valley Magazine.

Three New York Poems

by the Editorial Staff of Uncanny Valley Magazine

One Year Later
by Alexis Faulkner

New York City
Existing in a famous way
All the city surfaces have hardened around the way things used to be
Nouns are tired when they are old and unrested, especially places
The people of New York are tired, too
The people of New York are exhausted
Because the winter is coming
And the snow will cancel all of their plans
And they will have no choice but to sit inside and sulk
So they have to execute all of their ambitions while it is hot

The gaze of the city is lively
Demanding and full of life and intention
It is a mountain for the city's youngest to climb
The gaze is a mirror
And a long look is required to truly evaluate
The way things exist in the Eastern part of the United States

At least there are cheap sandwiches
And even the longest season will turn over eventually


Innumerable Other Places
by Chris Alarie

I'm trying to read Uselysses
In the library—which is cold
Or the park—which is hot
I am still mostly happy to be
Alive & in New York
But,
This is one of those days where
My best isn't good enough

I like New York but
I can't say why because
I can't stand the way that
People who love New York
Talk about New York

"Why do you love it?"
"Because it's like nowhere else."
"But you can say that about almost literally
Innumerable other places."
"Hey, fuck you!
I didn't start this conversation."

The day ends and
I still hate horses


The Next Time I Have Seven Dollars (Fourth)
by Douglas Slayton

When I breath my breathing poisons everything.

The white lights burn away to bone lit neon.

Millions of steps resound, held on a string,

looking up and feeling down when you're on.

When I think of your eyes or something new

I see those towers on every side piercing the sky,

with bridges on every shore surrounding you.

I am thinking of you, but it is a lie.

Every night is a different walk now.

Knowing the place in earnest, it's quiet.

We don't talk anymore about when it will snow

or the stars behind the ambient light.

Don't make promises you don't want to keep.

With you gone now, I'm not fucked on sleep.

Alexis Faulkner is Executive Editor-in-Chief of Uncanny Valley Magazine. 
Chris Alarie is Senior Editor-in-Chief of Uncanny Valley Magazine.
Doug Slayton is Professor Editor-in-Chief of Uncanny Valley Magazine.

The Best Fans in Baseball Can Not Be the Best Fans in Baseball

by Chris Alarie

On Wednesday evening, San Francisco Giants center fielder Juan Perez made one of the best defensive plays by any baseball player this season, scaling the wall to rob a home run from St. Louis Cardinals outfielder Stephen Piscotty. It was a genuinely amazing catch, something that, as the Fox Sports Midwest broadcasters mentioned, even the Cardinals fans acknowledged with polite applause. This reaction was consistent with the St. Louis fans' cherished distinction as “the Best Fans in Baseball”.¹ As a Giants fan, I found that pleasant, respectful behavior on the part of Cardinals fans to be incredibly annoying. Indeed, there is something particularly obnoxious about the falsely modest attitude the Cardinals fanbase adopts in order to justify and propagate the “Best Fans” designation. I am not aiming to disseminate or undermine that designation,² but rather to try to understand why the attitude of St. Louis fans seems so hollow and inauthentic.

In his takedown of the Cardinals fans' “the Best Fans in Baseball” myth, Drew Magary writes: “I think Yankees fans are horrible people: selfish, arrogant, profane, and miserable all at once. But at least they don't attempt to hide their repulsiveness. At least there isn't this deliberate, 'Oh, we're not like those OTHER fans' fakeness that OOZES from the Cardinals and their acolytes.” Ultimately, what offends Magary—and, likely, what offends me, as well—is the inauthenticity in the Cardinals fans' claims of modesty and civility that lie at the heart of their “Best Fans in Baseball” title. It reminds me a bit of this strange, fascinating, rambling article by Marc Yearsley about Guy Fieri and James Murphy in which he (eventually) makes the argument that as obviously obnoxious as Guy Fieri is, his obnoxious is preferable to James Murphy's ostensibly more acceptable cool persona because Fieri is authentic in his awfulness while Murphy's perceived coolness is inauthentic. For Magary and many other sports fans, the overt, authentic offensiveness of Yankees fans (or Red Sox fans or Dallas Cowboys fans or all Philadelphia sports fans, etc.) is preferable to the false modesty of Cardinals fans. And I think I agree with that assessment. While I have a number of qualms about the contemporary obsession with authenticity, there is something especially obnoxious to me about the “aw shucks, we're just good, modest, Midwestern baseball fans” attitude that underlies the Cardinals fans' claim to being “the Best Fans in Baseball”.

And yet, there must necessarily be a fanbase that does consist of “the Best Fans in Baseball”. The Cardinals fans really do have as much of a stake to that claim as any other fanbase but by the simple fact of acknowledging it, they undermine their case. There is something eerily self-defeating about this whole spiraling, postmodern cycle of self-knowledge and instability. To be “the Best Fans in Baseball” requires that they do not claim to be “the Best Fans in Baseball” yet to deny the designation of “Best Fans in Baseball” seems equally as disingenuous, in an altogether different manner. So there are no “Best Fans” yet there must be the “Best Fans” but the title of “Best Fans” is inherently unstable and ceases to be applicable once it is applied. The whole thing is dizzying.


Chris Alarie is Senior Editor-in-Chief of Uncanny Valley Magazine.

---

1 In fact, cheering good plays by other teams' players is number one on Will Leitch's nauseating list of “10 Reasons Why Cardinals Fans May Be The Best Fans In Baseball”.^↩
2 Both Drew Magary and the excellent Baseball's Best Fans Twitter account have already thoroughly covered that.^↩

The 20 Dollar Vibrator

by Kristopher Nope

Editor's note: we received this mysterious audio piece with the only description being an attached note that read "this is a fact." So we have decided to present this to you, the reader/listener, without any further explanation—not that we'd be able to offer one anyway!




Kristopher Nope was born on Catalina Island. Blue Ribbon Rowing Champion 2008, Crater Lake. SS Andrea Doria survivor. Accomplished essayist.